乌克兰黑暗民谣团的新专，好听极了，推荐！ 1. Goodbye My Revolution #1 / Відрізана голова
2. Йшов я небом
3. Колискова 33
4. Троїцька пісня
5. Серпень догорає
6. Бісова сила
7. Вийди з кімнати
8. В темнім лісі уночі
9. Goodbye My Revolution #2

专辑下载：Rayfile

俄罗斯工业黑氛围民谣团体的新专

Cult project from folklore myths north Russian city Archangelsk always was about his name as one of the most misterious and unexpectful musical formations. The count of albums coming to  10 with variable easy playing with such genres as ritual industrial, dark ambient, IDM,
electronic neo-folk, and by the meantime keeping really own style, charme and pretty cinic sense of humour.
The last album, which we have here, differs by pretty courage combination of last modern audio-technologies with variety of live instruments and north folklore (Russian and Nents)  singing.
Album recorded with many guests involved, among them folk-singer Ekaterina Zorina, as well as Count Ash – the leader of MOON FAR AWAY. Tracklist:
01. Архангельск
02. Товарищ (Обойду ли я кругом города)
03. Тет тай сэрми (Четыре моих белолобых оленя)
04. Зачинайсе, заря утряна
05. Старичок
06. Очень скорый поезд
07. Не’хорэли (Женщина из рода Хорэли)
08. Голымба
09. Колыбельная (Бай-бай)

专辑下载：Rayfile

俄罗斯著名神秘怪异团体的新专，该团近年发片速度令人钦佩

在2000年第一次感受了Dvar黑暗中蛊惑的魅力,那是一张当年的Dome.从这开始就一直想为Dvar写点儿什么,却发现Dvar根本就形同鬼魅,丝毫抓不到边际,也就一度放弃了.Dvar没有官方网站,所有的国外网站也几乎没有Dvar的踪迹.连Dvar的专辑封面歌纸上都没有任何关于他们的介绍,也没有歌词.当时我已经接触了为数不少,各种形式的Gothic及Darkwave音乐,但我从没听到过像Dvar这样与众不同的音乐.当时我询问了很多国外的朋友,很不幸,没有任何一个人知道他们,唯一的信息就是Dvar来自于俄罗斯.如果你没听说过这些神秘的音乐家那毫不奇怪,Dvar的音乐像乐队本身一样未知和含糊难懂.

Dvar至今发行了3张专辑与2张Dome,专辑分别是2002年的《Piirrah》,2003年的《Roah》以及2004年的《Rakhilim》,Dome分别为1998年的《Raii》和2000年的《Taai Liira》(可惜的是,Dvar 2002年的专辑我费尽心血也没有得到).Dvar是如此低调与神秘,从流传出来仅有的一张模糊不清的照片上也许可以推断Dvar是一个2人乐队,Dvar也没有任何形式的宣传,以至于让人怀疑它是不是真的存在.在早几年的时候,国外知晓Dvar的听者如同凤毛麟角,国内则几乎没有.在2004年,借助于网络的发达,国内的一些听者有幸接触到了Dvar 2004年的专辑《Rakhilim》,但真正能感受Dvar的人又有多少,从《Rakhilim》去了解Dvar是单一的,Dvar最为黑暗和乖张的专辑是《Roah》.

Dvar没有身份,没有起源,一个国外的朋友曾说:Dvar它究竟是一个无人知晓的神话还是一个飘忽在黑夜中的幽灵?而我却很清楚Dvar在心中的定义,你不用怀疑,这是从地狱传来的声音,唱者怪异压抑的嗓音如同被人扼住咽喉濒死所发出的震动,连同Dvar邪恶又带童真的旋律,让你置身于地狱鬼怪们的篝火仪式,歇斯底里的抒情,天真却又不祥.对于Dvar,你只能努力的去想象它,因为不论是它的旋律以及唱者的声音都是这样异想天开,就像是一群身患精神病的孩子,他们尽情玩耍却又到处破坏.乐曲用到了各种各样的乐器,这些连同合成器给Dvar注入了生命,他们用癔病的欢乐和受虐者的折磨灌输每支歌.当你死亡的时候,Dvar如同丧礼乐队一样经过你的村庄,为你演奏,他们的音乐在说:快乐,这是快乐的,我们为你的死亡庆祝与哀伤.你会发现在你周围掩面而泣的人们有着另一张邪恶欢愉的面庞.讽刺和邪恶也被Dvar在歌曲中赞颂,Dvar是正常人们所不应去想念的疯狂.如果你想真正感受Dvar的黑暗,那请你将自己也一同污染. Tracklist:
1. Niliim
2. An Aerim
2. El Am
4. Dhar
5. Uuy-Ghaar
6. Nouri
7. Zhaka Taka
8. Nakhva
9. Oh Mariil
10. Hoor’ti
11. Naa
12. Hey-Da-Haar
13. Jruggr
14. Nier-Paa
15. Mi Uuy-Gharr
16. Vaah Iiru
17. Hey Hey-Da-Haar
18. Taaira
19. N’ahaliroh Sigalii

专辑下载：Rayfile

英国独立民谣团今年新专

Lone Wolf began life in 2009 in various dusty rooms and tape studios around Sweden, songs and ideas slowly coming together through the eyes of singer and guitarist Paul Marshall and the ears of Kristofer Jonson from Jeniferever. After a month of various field recordings, sneaking into concert halls late at night to use the piano, setting up their gear in small village churches, and other places they could find, the basic album tracks were done. Paul brought all the recordings back home to England in September and together with James from Duels, started on the final stages of mixing the album.
Now complete, The Devil and I will be out on Bella Union in late April 2010 and dates will appear on this site as and when they become announced.Band members include Lins Wilson from Grammatics, along with James and Jon from Duels and Napoleon the 3rd.

Tracklist

01. This Is War
02. Keep Your Eyes On The Road
03. We Could Use Your Blood
04. Buried Beneath The Tiles
05. 15 Letters
06. Devil And I, The (part 1)
07. Russian Winter
08. Soldiers
09. Dead River
10. Devil And I, The (part 2)

专辑下载：Rayfile

专辑中文名: 刘以达与梦之末世极乐
歌手: 刘以达与梦
发行时间: 1992年
地区: 香港
语言: 粤语

专辑介绍：

这张达明解散后不久推出的大碟在主唱之外的阵容上和达明时代保持了一致，刘以达负责全部作曲和编曲，填词主要由周耀辉和潘源良完成，请注意，为达明写出了大半词作的陈少琪在这里填的一首《植民地》竟然是他和分手后的达与明唯一的合作。尽管女主音“梦”的表现非常出色，但还是不能不让人臆想，如果是明哥主唱，这会不会成为另一张达明经典？只是随着97的过去，这些以香港主权移交为主题的作品，恐怕再也没有机会被明哥翻唱了。【转自；www.imagegaden.net 】

专辑曲目:
01 乱非乱时
02 OLD FASHION
03 作不了主的爱人
04 明珠的婚姻
05 祝君好运
06 “植”民地
07 同林鸟
08 与你同眠
09 是我自愿
10 玫瑰园

专辑下载：Rayfile

专辑中文名: 下去不
歌手: 侯德健
音乐风格: 流行
资源格式: MP3
发行时间: 1990年
地区: 台湾
语言: 普通话

专辑介绍：

这是个被遗忘的人，“被埋没的人和被埋没的歌”，他影响、引导过的一大批音乐人都已被奉为经典，他自己，却被刻意忽略。

楔子：

“祸头子”是句北京土话，通常用来诅咒那些最调皮捣乱、最无法无天、无可救药、无法改造的人。

一般人说这话的时候，都不愿当着本人的面说，怕的是你永远不会知道他下一回要闯什么祸。而你在那未知的祸事中将被他安排成什么角色，所以，即便是在祸头子犯案现场，人赃具获的时候，在忍无可忍的情形下，大家也多半只是转过身，别过脸去拿斜眼瞅他一瞅，嘴里不清不楚地骂骂咧咧几句罢了，最好是别让他听明白了“祸头子”三个字，而你自己也能得到阿Q式的精神胜利，既不得罪他，又满足了你不得不宣泄的愤恨。

永远变不成人的猴子：

远古以前，在猴子们用两脚直立行走的年代里，有只顽皮的小猴子，在玩耍中发现了四肢都在地上爬的乐趣有，引来了许多小猴子都竟相效仿，顿时间蔚然成风，却惹恼了猴长老们，认为兹事体大，长此下去，猴将不猴，因此，号召动员了立场坚持的猴众，用石头扔死了带头的那只小猴子。

不知是多少代以后，猴子们已进化成四肢爬行的习惯，可这一代的猴长老们，又以相同的理由，打死了一只带头用两脚直立行走的小猴子。

这同样的故事发生了不知多少遍，而无法宽容超前意识的猴子们，却依然是猴子，他们永远没法变成人。

联合报让我讲讲自己的故事，我立刻想到了卢梭的《忏悔录》，有感于有些祸头子已经作古，来不及忏悔；有的祸头子缺乏自知之明，无法忏悔；甚至有些祸头子压根不敢面对自己闯的祸，害怕忏悔；我决定把自己的故事正名作《祸头子正传》，至于祸头子这三个字，究竟是褒义词抑或是贬义词，闯祸这件事，究竟是建设性的行为，抑或是破坏性的行为，则实非吾辈今日必须盖棺定论之事，因此，各位看官只管凭个人好恶对《祸头子正传》尽情地品头论足，而我自己，则只考虑——有什么、为什么。

今天看来表面唱的都是（昨日之怒）在还没来得及喘口气，理清楚明白的头绪之前，也只好乐的轻松让自己在回忆里堕落几番。

有谁替我想个办法，让我免受宣传打歌的苦刑，麻烦知道消息的人，转告可能感兴趣的朋友，请尽量不要惊扰牛群，我已不再愿意对牛弹琴，谢谢！

PS：这张《下去不》个人觉得是回到台湾后的郁闷极端之作，《龙的传人续篇》可见侯德健的伟大。[转自VERYCD]

专辑曲目:

01. 下去不
02. 一颗小小的石头
03. 今天是什么天气
04. 漂亮的中国人
05. To Dream The Broken Dream
06. 我们要活下去
07. 不是我们年纪小
08. 三十岁以后才明白(重新编曲)
09. 龙的传人
10. 再梦一遍

专辑下载：Rayfile

土耳其民谣团新专 Track List:

1. Mini Mini Nihavend Pesrev (2:09)
2. Gel Gel Kayikci (2:56)
3. Pare Ta Hnaria Mou (Kalarnet Edit) (3:08)
4. Seftalisi Ala Benziyor (5:11)
5. Bekledim de Gelmedin (3:19)
6. Izmir’in Kavaklari (3:42)
7. Ta Ziliarika Sou Matia (2:40)
8. Ada Sahilleri (3:40)
9. Buzuki Taksim (0:54)
10. Iroini Ke Mavraki (4:50)
11. Bergama Zeybegi (2:14)
12. Kanun Taksim (1:15)
13. Kadifeden Kesesi (4:20)
14. Rare Ta Hnaria Mou (3:08)
15. I Lahanades (2:53)
16. Bekledim de Gelmedin (Bonus Track) (3:17)

专辑下载：Rayfile

来自美国的凯尔特民谣团今年新专

Since its birth in 1996, Solas has been loudly proclaimed as the most popular, influential, and exciting Celtic band to ever emerge from the United States. Even before the release of its first Shanachie CD, the Boston Herald trumpeted the quartet as “the first truly great Irish band to arise from America,” and the Irish Echo ranked Solas among the “most exciting bands anywhere in the world.” Since then, the praise has only grown louder. The Philadelphia Inquirer said they make “mind-blowing Irish folk music, maybe the world’s best.” The New York Times praised their “unbridled vitality“, the Washington Post dubbed them one of the “world’s finest Celtic-folk ensembles” and the Austin American-Statesman called them “the standard by which contemporary Celtic groups are judged.”

Solas is virtually unique in the new territory it has opened up for Celtic music. It has performed at all the major Celtic and folk festivals, including Philadelphia, Edmonton, the legendary National Folk Festival, and Milwaukee’s Irish fest; but also at Telluride Bluegrass Festival, and the chamber music summer series at Steamboat Springs, Colorado. It has performed at Symphony Hall, Wolf Trap, the Ford Amphitheater, and Queens Hall in Edinburgh, Scotland. In New York City, where the band was based in its early years, it has played at the legendary Bottom Line folk club, but also at vaunted classical venues Town Hall and Symphony Space. The Solas sound today is anchored by founders Seamus Egan, who plays flute, tenor banjo, mandolin, whistle, guitar and bodhran, and fiddler Winifred Horan. They are two of the most respected—and imitated—musicians anywhere in acoustic music. Mick McAuley from Kilkenny plays accordion and concertina; Eamon McElholm from Tyrone plays guitar and keyboards. Solas has emerged as the most exciting band in traditional Irish music. The Philadelphia Inquirer Magazine says, “Seamus Egan and Solas make mind-blowing Irish folk music, maybe the world’s best,” while the Los Angeles Times says, “Solas offers a compellingly original, strikingly contemporary view of traditional Celtic sounds.” Although Solas can play undiluted traditional Irish music as well as anyone alive or departed, they are always varying the mix of fire tested tradition and contemporary sensibility with an ease and naturalness that is as astonishing as their overwhelming musicianship. As a result, they transcend musical genres into the realm of pure musical expression that only a relative handful of musicians attain. The internationally acclaimed supergroup has not only captured the hearts and ears of Irish music fans, but fans all around the globe with their blend of Celtic traditional, folk and country melodies, bluesy sometimes jazz-inspired improvisations and global rhythms. Solas has built a fanbase that includes the likes of Bela Fleck, Emmylou Harris and the much sought-after rap producer Timbaland who surprisingly sampled the band on his radio hit “All Yall.” Their latest release is a live CD and DVD called “Reunion” (Compass Records) which celebrates the bands tenth anniversary. Ten years and still going strong!!!

专辑下载：Rayfile

美国的仙音团04年作品

The New York Room’s 3rd release continues to showcase the group’s many sensibilities and influences including dream-pop, trip-hop, gothic, industrial, classical and even some jazz, fronted by a sweet siren’s melody over a backdrop of brooding melancholy. This latest release showcases the vocal talents of 4 different singers and fans of groups like Massive Attack, Portishead, This Mortal Coil, the Cocteau Twins, Dead Can Dance and The Hope Blister will revel in the soaring soprano female vocals over a diverse tapestry of soundscapes. 1. I Wear Your Ring (3:31)
2. Baby Blue (5:13)
3. Chasing The Horizon (4:40)
4. Cuts Through The Skin (Down To The Bone) (4:00)
5. Floatful & Remembering (6:10)
6. The Thistle In The Kiss (4:57)
7. Breathing Farewell’s Sigh (5:02)
8. Frost At Midnight (5:35)
9. When I’m Broken (4:00)
10. Inside The Dream (6:40)
11. In Spite of Everything (3:58)
12. Gymnopedie #1 (3:08)
13. Dies Irae (2:35)
14. I Wear Your Ring (Remix) (3:50)

专辑下载：Rayfile

来自塞内加尔的一个爵士民谣团体08年作品，个人一向不太听JAZZ，但这张还是能接受的。

The mutual admiration society that is Ablaye Cissoko and Volker Goetze owes itself to a serendipitous meeting that took place in 2001 at the African-European Jazz Orchestra rehearsals in Saint-Louis, Senegal, where they’d been invited to open for Senegalese legend Youssou N’Dour. Despite any cultural barriers that separated them, the Senegalese singer/kora player and German-born trumpeter discovered they had much in common, both musically and personally. Their commonalities can be heard on Sira, which is an album that reaffirms the maxim that music is the universal language. The album released in October 2008 to great critical acclaim and hit 2 on the CMJ World Music Chart.

Their willingness to absorb new ideas attracted the two artists to each other. Although Cissoko is well-versed in the traditional music of West Africa, passed along from generation to generation, he has always been a seeker, keeping his ears open for new experiences. His immersion in jazz, and Goetze’s fascination with African music, made them natural candidates for collaboration.

“He comes from the griot tradition. My grandfathers were highly respected spiritual leaders,” says Goetze. “I learn from him and he learns from me. Our music is very much created in the moment, but we understand each other on a much deeper level.” “It is our differences that become real strength,” adds Cissoko. “I adapt myself to the context. I have in myself this ancient tradition of communication. It’s like the branches of a baobob tree, which can touch those of another tree. I’m one of these branches. Volker and I are two musicians of the same generation with different sensibilities, who become one indivisible entity by speaking with our instruments.”

What They’re Saying About “Sira”

“5 stars! Their serene dialogue, inspired by tradition and inventing a new vocabulary at the same time, is both thrilling and soothing.” – Mondomix France

“Cross-cultural fusion at its most sublime; Cissoko’s keening vocals and cascading kora underpin much of the album, with Goetze weaving delicate yet sturdy lines (on trumpet) when inspiration strikes and Cissoko responding in kind…Delightful, mysterious, and indeed, ground breaking.” – Jazzwise UK

“The music on this album is a revelation.” Songlines UK

“4 Stars! Recorded in Senegal as a duet, Sira marks a true meeting of the minds. 10 delicate titles, a hymn to simplicity and to the universality of music. Beautiful.” – Jazzman France

“A breath of fresh air, Ablaye Cissoko and Volker Goetze’s Sira provides an oasis of calm in which to pause and rest, to reflect and be moved…to tears.” – All About Jazz

“One is immediately struck by the stark beauty of this recording. It has a simplicity and mystery about it that come across as entirely natural, almost naïve, except that it’s also quite sophisticated.” – Audiophile Audition

“All pieces are performed entirely by the two musicians – no accompaniment – and listening to them is a fascinating entry into a world both exotic and mysterious.” - Blogcritics

“Cissoko’s world weary vocal delivery on “Bouba” echoes the trills from Goetze’s sleepy trumpet lines – though there is no English translation to the song, you can feel the pathos.” – Minor 7th

“This magical (and most unlikely!) intersection of culture produces a surprising result… Truly mesmerizing stuff.” - Jazz.com

专辑下载：Rayfile