热度:

乌克兰黑暗民谣团的新专，好听极了，推荐！

热度:

俄罗斯工业黑氛围民谣团体的新专

Cult project from folklore myths north Russian city Archangelsk always was about his name as one of the most misterious and unexpectful musical formations. The count of albums coming to  10 with variable easy playing with such genres as ritual industrial, dark ambient, IDM,
electronic neo-folk, and by the meantime keeping really own style, charme and pretty cinic sense of humour.
The last album, which we have here, differs by pretty courage combination of last modern audio-technologies with variety of live instruments and north folklore (Russian and Nents)  singing.
Album recorded with many guests involved, among them folk-singer Ekaterina Zorina, as well as Count Ash – the leader of MOON FAR AWAY.

热度:

俄罗斯著名神秘怪异团体的新专，该团近年发片速度令人钦佩

在2000年第一次感受了Dvar黑暗中蛊惑的魅力,那是一张当年的Dome.从这开始就一直想为Dvar写点儿什么,却发现Dvar根本就形同鬼魅,丝毫抓不到边际,也就一度放弃了.Dvar没有官方网站,所有的国外网站也几乎没有Dvar的踪迹.连Dvar的专辑封面歌纸上都没有任何关于他们的介绍,也没有歌词.当时我已经接触了为数不少,各种形式的Gothic及Darkwave音乐,但我从没听到过像Dvar这样与众不同的音乐.当时我询问了很多国外的朋友,很不幸,没有任何一个人知道他们,唯一的信息就是Dvar来自于俄罗斯.如果你没听说过这些神秘的音乐家那毫不奇怪,Dvar的音乐像乐队本身一样未知和含糊难懂.

Dvar至今发行了3张专辑与2张Dome,专辑分别是2002年的《Piirrah》,2003年的《Roah》以及2004年的《Rakhilim》,Dome分别为1998年的《Raii》和2000年的《Taai Liira》(可惜的是,Dvar 2002年的专辑我费尽心血也没有得到).Dvar是如此低调与神秘,从流传出来仅有的一张模糊不清的照片上也许可以推断Dvar是一个2人乐队,Dvar也没有任何形式的宣传,以至于让人怀疑它是不是真的存在.在早几年的时候,国外知晓Dvar的听者如同凤毛麟角,国内则几乎没有.在2004年,借助于网络的发达,国内的一些听者有幸接触到了Dvar 2004年的专辑《Rakhilim》,但真正能感受Dvar的人又有多少,从《Rakhilim》去了解Dvar是单一的,Dvar最为黑暗和乖张的专辑是《Roah》.

Dvar没有身份,没有起源,一个国外的朋友曾说:Dvar它究竟是一个无人知晓的神话还是一个飘忽在黑夜中的幽灵?而我却很清楚Dvar在心中的定义,你不用怀疑,这是从地狱传来的声音,唱者怪异压抑的嗓音如同被人扼住咽喉濒死所发出的震动,连同Dvar邪恶又带童真的旋律,让你置身于地狱鬼怪们的篝火仪式,歇斯底里的抒情,天真却又不祥.对于Dvar,你只能努力的去想象它,因为不论是它的旋律以及唱者的声音都是这样异想天开,就像是一群身患精神病的孩子,他们尽情玩耍却又到处破坏.乐曲用到了各种各样的乐器,这些连同合成器给Dvar注入了生命,他们用癔病的欢乐和受虐者的折磨灌输每支歌.当你死亡的时候,Dvar如同丧礼乐队一样经过你的村庄,为你演奏,他们的音乐在说:快乐,这是快乐的,我们为你的死亡庆祝与哀伤.你会发现在你周围掩面而泣的人们有着另一张邪恶欢愉的面庞.讽刺和邪恶也被Dvar在歌曲中赞颂,Dvar是正常人们所不应去想念的疯狂.如果你想真正感受Dvar的黑暗,那请你将自己也一同污染.

热度:

英国独立民谣团今年新专

Lone Wolf began life in 2009 in various dusty rooms and tape studios around Sweden, songs and ideas slowly coming together through the eyes of singer and guitarist Paul Marshall and the ears of Kristofer Jonson from Jeniferever. After a month of various field recordings, sneaking into concert halls late at night to use the piano, setting up their gear in small village churches, and other places they could find, the basic album tracks were done. Paul brought all the recordings back home to England in September and together with James from Duels, started on the final stages of mixing the album.
Now complete, The Devil and I will be out on Bella Union in late April 2010 and dates will appear on this site as and when they become announced.Band members include Lins Wilson from Grammatics, along with James and Jon from Duels and Napoleon the 3rd.

热度:

专辑中文名: 刘以达与梦之末世极乐
歌手: 刘以达与梦
发行时间: 1992年
地区: 香港
语言: 粤语

专辑介绍：

这张达明解散后不久推出的大碟在主唱之外的阵容上和达明时代保持了一致，刘以达负责全部作曲和编曲，填词主要由周耀辉和潘源良完成，请注意，为达明写出了大半词作的陈少琪在这里填的一首《植民地》竟然是他和分手后的达与明唯一的合作。尽管女主音“梦”的表现非常出色，但还是不能不让人臆想，如果是明哥主唱，这会不会成为另一张达明经典？只是随着97的过去，这些以香港主权移交为主题的作品，恐怕再也没有机会被明哥翻唱了。【转自；www.imagegaden.net 】

热度:

专辑中文名: 下去不
歌手: 侯德健
音乐风格: 流行
资源格式: MP3
发行时间: 1990年
地区: 台湾
语言: 普通话

专辑介绍：

这是个被遗忘的人，“被埋没的人和被埋没的歌”，他影响、引导过的一大批音乐人都已被奉为经典，他自己，却被刻意忽略。

楔子：

“祸头子”是句北京土话，通常用来诅咒那些最调皮捣乱、最无法无天、无可救药、无法改造的人。

一般人说这话的时候，都不愿当着本人的面说，怕的是你永远不会知道他下一回要闯什么祸。而你在那未知的祸事中将被他安排成什么角色，所以，即便是在祸头子犯案现场，人赃具获的时候，在忍无可忍的情形下，大家也多半只是转过身，别过脸去拿斜眼瞅他一瞅，嘴里不清不楚地骂骂咧咧几句罢了，最好是别让他听明白了“祸头子”三个字，而你自己也能得到阿Q式的精神胜利，既不得罪他，又满足了你不得不宣泄的愤恨。

热度:

土耳其民谣团新专

热度:

来自美国的凯尔特民谣团今年新专

Since its birth in 1996, Solas has been loudly proclaimed as the most popular, influential, and exciting Celtic band to ever emerge from the United States. Even before the release of its first Shanachie CD, the Boston Herald trumpeted the quartet as “the first truly great Irish band to arise from America,” and the Irish Echo ranked Solas among the “most exciting bands anywhere in the world.” Since then, the praise has only grown louder. The Philadelphia Inquirer said they make “mind-blowing Irish folk music, maybe the world’s best.” The New York Times praised their “unbridled vitality“, the Washington Post dubbed them one of the “world’s finest Celtic-folk ensembles” and the Austin American-Statesman called them “the standard by which contemporary Celtic groups are judged.”

Solas is virtually unique in the new territory it has opened up for Celtic music. It has performed at all the major Celtic and folk festivals, including Philadelphia, Edmonton, the legendary National Folk Festival, and Milwaukee’s Irish fest; but also at Telluride Bluegrass Festival, and the chamber music summer series…

热度:

美国的仙音团04年作品

The New York Room’s 3rd release continues to showcase the group’s many sensibilities and influences including dream-pop, trip-hop, gothic, industrial, classical and even some jazz, fronted by a sweet siren’s melody over a backdrop of brooding melancholy. This latest release showcases the vocal talents of 4 different singers and fans of groups like Massive Attack, Portishead, This Mortal Coil, the Cocteau Twins, Dead Can Dance and The Hope Blister will revel in the soaring soprano female vocals over a diverse tapestry of soundscapes.

热度:

来自塞内加尔的一个爵士民谣团体08年作品，个人一向不太听JAZZ，但这张还是能接受的。

The mutual admiration society that is Ablaye Cissoko and Volker Goetze owes itself to a serendipitous meeting that took place in 2001 at the African-European Jazz Orchestra rehearsals in Saint-Louis, Senegal, where they’d been invited to open for Senegalese legend Youssou N’Dour. Despite any cultural barriers that separated them, the Senegalese singer/kora player and German-born trumpeter discovered they had much in common, both musically and personally. Their commonalities can be heard on Sira, which is an album that reaffirms the maxim that music is the universal language. The album released in October 2008 to great critical acclaim and hit 2 on the CMJ World Music Chart.

Their willingness to absorb new ideas attracted the two artists to each other. Although Cissoko is well-versed in the traditional music of West Africa, passed along from generation to generation, he has always been a seeker, keeping his ears open for new experiences. His immersion in jazz, and Goetze’s fascination with African music, made them natural candidates for collaboration.

“He comes from the griot tradition. My grandfathers were…